Emőke Baráth


Her career took off when she sang Sesto in Händel's Giulio Cesare conducted by Alan Curtis. Later, she made a dazzling debut at the Festival d'Aix-en-Provence in the title role of Cavalli's Elena.


Her 2024/2025 season illustrates her musical opening: Cleopatra in Giulio Cesare by Giacommelli in Innsbruck with Ottavio Dantone; Ginevra by Ariodante at Opera du Rhin with Christopher Moulds; Haydn's Seasons with Ádám Fischer in Copenhagen; Maria Maddalena in La Resurrezione in Paris Theatre des Champs Elysées with Julien Chauvin and Le Concert de la Loge, then The Messiah by Händel with Hervé Niquet and Le Concert Spirituel; Dixit Dominus by Händel and Magnificat by Bach with the Los Angeles Philharmonic and Emmanuelle Haïm; Mozart concerts with the Monte-Carlo Philharmonic; the title role of La Merope de Terradellas with Akademie für Alte Musik Berlin and Francesco Corti on European tour

Emőke Baráth's art is deployed in a vast repertoire under the baton of some of the most illustrious conductors. These include La Musicà and Euridice in Monteverdi's L'Orfeo (Iván Fischer and Emiliano Gonzalez Toro); Romilda in Cavalli's Xerse (Emmanuelle Haïm); the title role in Cavalli's Hipermestra (William Christie); Morgana in Händel's Alcina (Ottavio Dantone and Emmanuelle Haïm); Susanna in Mozart's Le Nozze di Figaro (Marc Minkowski). For the 20th century, she has sung Poulenc's Stabat Mater and Gloria (Bernard Têtu and Bertrand de Billy) and the Angel in Messiaen's Saint François d'Assise (Sylvain Cambreling).

Her extensive discography includes several titles recorded for Erato-Warner Classics, Naïve, Alpha Classic, Cpo, Glossa and Hungaroton. An exclusive artist with Erato-Warner Classics, Emöke released her first solo disc, Voglio Cantar, in 2019, devoted to the finest pages of the Seicento. Her recent disc Dualità, devoted to arias by Händel, was released in 2022, conducted by Philippe Jaroussky.

Gallery / Emőke Baráth

Emoke Baráth Emoke Baráth 3 Barath-Emoke-c-Borocz-Balazs Emoke Baráth 2