Spain
Piemontesi is one of the leading interpreters of the German classical and romantic repertoire. Regular guest with the world’s leading orchestras and concert halls.
As a soloist, he has played alongside leading orchestras such as Berlin, New York and Los Angeles Philharmonic Orchestras, Orchestre de Paris, Orchestra dell’Accademia Nazionale di Santa Cecilia, Filarmonica della Scala, Wiener Symphoniker, the Boston, Chicago, NHK and London Symphony Orchestras, the Cleveland Orchestra, San Francisco Symphony Orchestra, Budapest Festival Orchestra, Chamber Orchestra of Europe as well as the Tonhalle-Orchester Zürich. He regularly collaborates with distinguished conductors such as Gianandrea Noseda, Fabio Luisi, Antonio Pappano, Daniele Gatti, Daniele Rustioni, Lorenzo Viotti, Robin Ticciati, Iván Fischer, Mirga Gražinytė-Tyla, Marek Janowski, Joana Mallwitz, Thomas Søndergård, Daniel Harding, Roger Norrington, Karina Canellakis, Paavo Järvi, Zubin Mehta, Nathalie Stutzmann, Elim Chan, and Maxim Emelyanychev.
The 25/26 season includes premiering the Beat Furrer Piano Concerto (dedicated to Francesco) with the Orchestre de la Suisse Romande and the Symphonieorchester des Bayerischen Rundfunks Munich, as well as further solo appearances with the Mahler Chamber Orchestra, Orchestre Philharmonique de Radio France, Leipzig Gewandhausorchester, Swedish Radio Symphony Orchestra, Finnish Radio Symphony Orchestra, Royal Scottish National Symphony Orchestra; in North America with the Pittsburgh, Atlanta, Baltimore and Toronto Symphony Orchestras and with the Seoul Philharmonic.
A consummate recitalist, he has recently appeared at the Auditorium Lyon, Rudolfinum/Dvořák Hall, Tonhalle Zurich, Schubertiade Festival, and La Chaux-de-Fonds. This season he performs at the Musikverein, Theatre des Champs-Elysees and at the Wigmore Hall in London, where he is a regular favourite.
In addition to the classical and romantic periods, Francesco Piemontesi’s wider repertoire includes works by Bach and Handel in original versions and transcriptions, piano concertos by Ravel, Debussy, Bartók, Rachmaninov and Schönberg, as well as works by Olivier Messiaen and Unsuk Chin. Among his many important musical influences, he highlights his distinguished teachers Arie Vardi and Alfred Brendel, but above all French concert pianist Cecile Ousset. It is to her that he owes his rounded tone and a somnambulistic technique that is rooted in the French piano tradition going back to Marcel Ciampi.
Francesco Piemontesi’s musical artistry is documented on numerous recordings that have received awards and critical acclaim, such as Schubert’s last Piano Sonatas, Debussy’s Preludes and Mozart’s Piano Concertos with the Scottish Chamber Orchestra conducted by Andrew Manze and two of the most demanding pieces of the piano literature: Liszt’s Transcendental Etudes and the B minor Sonata.
Working with fellow musicians and orchestras alike, Francesco Piemontesi’s collaborations form themselves from the nucleus of friendship, appreciation, and creativity. He recently has been Artist in Residence with the Orchestre de la Suisse Romande, the Dresden Philharmonic and the Gstaad Menuhin Festival. As adept on the concert stage as he is in smaller chamber combinations, Francesco Piemontesi appears with a variety of partners including Renaud Capuçon, Leonidas Kavakos, Janine Jansen, Daniel Müller-Schott, Augustin Hadelich and Jörg Widmann.
